Goodwill Letter
Production Paperwork

This is the official DVD wrap template to be used in the creation of marketing materials for FSUFILM productions. Use it as your foundation for making something beautiful and compelling!
This is the official DVD disc art template to be used in the creation of marketing materials for FSUFILM productions. Use it as your foundation for making something beautiful and compelling!
Steel Tongs is the font to be used for the credit block on FSUFILM marketing materials, such as posters and DVD wraps. You’ll need to download the zip file (above) and install the font on your computer before starting work on a poster or DVD wrap, otherwise the credit block will not display correctly.
Steel Tongs works by displaying certain keystrokes as credit titles or logos. All uppercase letters, numerals, and basic punctuation symbols (periods, commas, quotes, dashes, ampersands) will display as normal. Lowercase letters, other punctuation symbols, and ALT key codes, however, are translated into different graphical elements of a credit block, as shown below.
a | WRITTEN BY |
b | CASTING BY |
c | MUSIC BY |
d | COSTUME DESIGNER |
e | EDITED BY |
f | PRODUCTION DESIGNER |
g | DIRECTOR OF PHOTOGRAPHY |
h | LINE PRODUCER |
i | CO-PRODUCED BY |
j | PRODUCED BY |
k | DIRECTED BY |
l | CO-DIRECTED BY |
m | STORY BY |
n | BASED ON THE NOVEL BY |
o | SCREENPLAY BY |
p | EXECUTIVE PRODUCER |
q | CO-EXECUTIVE PRODUCER |
r | GUEST DIRECTOR |
s | SPECIAL EFFECTS BY |
t | VISUAL EFFECTS BY |
u | 3D VISUAL EFFECTS |
v | ASSISTANT DIRECTOR |
w | ART DIRECTOR |
x | CO-EXECUTIVE PRODUCER(S) |
y | CREATURES DESIGNED BY |
z | CREATURES DESIGNER AND SUPERVISOR |
{ | ANIMATION PRODUCTION |
| | SOUND EFFECTS SUPERVISOR |
} | BASED ON THE CHARACTERS CREATED BY |
~ | DIRECTOR OF GRAPHICS |
\ | ANIMATION DIRECTOR |
^ | WITH MUSIC FROM |
_ | ORIGINAL MUSIC BY |
£ | SPECIAL APPEARANCE BY |
# | MAKE UP ARTIST |
$ | STUNT/FIGHT COORDINATOR |
% | A* |
* | A FILM BY* |
+ | IN ASSOCIATION WITH |
[ | SCREENWRITER |
] | KEY ANIMATION SUPERVISOR |
< | TECHNICAL ADVISOR |
> | TECHNICAL SUPERVISOR |
? | ASSISTANT TO CHIEF ANIMATOR |
@ | CINEMATOGRAPHY BY |
! | CUSTOM LAYOUT BY |
( | WRITTEN AND DIRECTED BY |
) | ASSOCIATE PRODUCER |
: | PRESENTS* |
; | PRESENTS A* |
/ | AND* |
= | PRESENTS AN* |
The following characters need to be accessed by holding down the ALT key while typing the character code number — e.g., hold the ALT key and type 0131, then let the ALT key go and “MECHANICAL DESIGN” will appear.
ALT+0131 | MECHANICAL DESIGN |
ALT+0132 | ASSOCIATE PRODUCERS |
ALT+0133 | PLANNING AND ORIGINAL CONCEPT BY |
ALT+0134 | PLANNING AND COOPERATION |
ALT+0135 | DIRECTOR OF VISUAL CONCEPT |
ALT+0136 | COLOUR DESIGNER |
ALT+0137 | COLOR DESIGNER |
ALT+0138 | AN* |
ALT+0139 | PRODUCTION* |
ALT+0140 | FILM* |
ALT+0142 | ASSOCIATES* |
ALT+0164 | 3D CGI BY |
ALT+0165 | ORIGINAL CONCEPT BY |
ALT+0166 | MATTE ARTIST |
ALT+0167 | SPECIAL MAKE-UP |
ALT+0168 | IN ASSOCIATION WITH* |
ALT+0170 | MEDICAL CONSULTANT |
ALT+0171 | MEDICAL ADVISOR |
ALT+0172 | IN ASSOCIATION WITH** |
ALT+0177 | MILITARY CONSULTANT |
ALT+0178 | MILITARY ADVISOR |
ALT+0179 | WEAPONS CONSULTANT |
ALT+0180 | WEAPONS ADVISOR |
ALT+0181 | VEHICLE DESIGN |
ALT+0182 | WEAPON DESIGN |
ALT+0183 | PROSTHETIC DESIGN |
ALT+0184 | PROSTHESIS DESIGN |
ALT+0185 | MOTION CAPTURE |
ALT+0186 | STORYBOARDING |
ALT+0187 | FILM EDITING BY |
ALT+0188 | DIALOG COACH |
ALT+0189 | DIALOGUE COACH |
ALT+0154 | A** |
ALT+0155 | AND** |
ALT+0156 | FILM** |
ALT+0158 | A FILM BY** |
ALT+0159 | PRESENTS AN** |
ALT+0161 | PRESENTS A** |
ALT+0162 | PRESENTS** |
ALT+0176 | ASSOCIATES** |
ALT+0190 | AN** |
ALT+0191 | PRODUCTION** |
* UPPER line
** LOWER line
ALT+0149 | DVD LOGO |
ALT+0150 | DOLBY LOGO |
ALT+0151 | DOLBY DIGITAL |
ALT+0152 | CLOSED CAPTION LOGO |
ALT+0173 | CLOSED CAPTION LOGO & TEXT |
ALT+0192 | THX LOGO |
ALT+0193 | DTS DIGITAL SURROUND |
ALT+0194 | DTS LOGO |
ALT+0195 | PAL |
ALT+0196 | NTSC |
ALT+0197 thru ALT+0209 | Various Mono/Stereo indicator icons |
This is the official poster template to be used in the creation of marketing materials for FSUFILM productions. Use it as your foundation for making something beautiful and compelling!
Pick-up photography is defined as any photography taken after completion of principal photography in order to enhance the narrative.
On the BFA and MFA Thesis cycles, students may make a request for pick-up photography to improve moments in the film that were not captured successfully during principal photography. Pick-up requests may not be made for additional moments or scenes that were not part of the original shooting plan. Requests for pick-up photography must include:
No show will be approved for more than six hours of pick-up photography. And all pick-up photography will need to be completed and cut into the edit before picture lock. In some cases, this may mean that the turnaround time for pick-up photography is tight, so students will need to be diligent and proactive if they want to put in a request.
Since pick-up photography involves time and resources, requests will not be approved automatically. Approvals will only be granted if the time and resources are available and if students make a compelling case for the value of the pick-ups to the film (including proof that you can’t solve the problem with careful editing choices). In other words, they are a privilege to be earned.
The College of Motion Picture Arts pays an annual fee to Soundsnap for the licenses to the sound effects they provide on their site. No releases need to be signed for the use of these sound effects, so long as you remain in accordance with this licensing agreement.
You are free to:
The College of Motion Picture Arts pays an annual fee to Universal Production Music (Killer Tracks) for the licenses to the library music they provide on their site. No releases need to be signed for the use of this music, so long as you remain in accordance with this licensing agreement.